As a child, Quincy was diagnosed with a rare brain aneurysm, which he overcame to become one of the most influential figures in music.
Jones was fluent in five languages, using his linguistic talent to collaborate globally with artists from different cultures.
Ray Charles was one of Quincy’s early mentors, helping shape his musical vision and providing him with invaluable guidance.
Besides his arranging and producing skills, Jones could play multiple instruments, including the trumpet, piano, and vibraphone.
Quincy Jones became the first Black executive at a major American record label when he was named Vice President of Mercury Records.
Beyond music albums, Quincy also contributed to over 50 film scores, making him one of Hollywood’s most prolific musical figures.
Jones holds the record for the most Grammy nominations ever, with 80 nominations and 28 wins, showcasing his impact on music.
Jones was not only the producer for Michael Jackson’s “Thriller” but also a close personal friend, mentoring him in the industry.
Jones was deeply committed to humanitarian causes and was a co-founder of the Institute for Black American Music.
His work with Frank Sinatra on “It Might as Well Be Swing” was groundbreaking, blending jazz and pop in a unique way.
Jones composed his first movie soundtrack for the film “The Pawnbroker,” becoming one of the first African-Americans to do so.
Even after reaching mainstream success, Quincy stayed dedicated to jazz, often returning to it throughout his career.
Jones was the producer behind the “We Are the World” project, which raised millions for humanitarian aid in Africa.
Jones was the visionary behind
Vibe
magazine, which became a leading voice in hip-hop culture
Quincy reportedly has unreleased recordings from his sessions with Michael Jackson, kept private out of respect for the late singer's legacy.